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Worship Ensemble Syllabus/Team Lists/Outreach Schedule

Central Methodist University Department of Music

Spring 2020

Syllabus

 

Worship Ensemble MU068

0 or 1 credit

 

Prof. David Witter, Classic Hall 202-D, 660-651-9964

dwitter@centralmethodist.edu; lesson time TBA

 

 

Mission

Central Methodist University prepares students to make a difference in the world by emphasizing academic and professional excellence, ethical leadership, and social responsibility. 

 

Description

Performance ensemble.  Will include performances at campus Chapel services and off-campus venues. 

 

Purposes

To gain an understanding of how to perform worship music 

To refine performance skills on one’s respective instrument or voice 

To gain an understanding of how to collaboratively participate in a musical ensemble 

 

Outcomes

The successful student will: 

—Perform at their highest level 

—Demonstrate leadership in an ensemble 

—Collaborate musically 

—Understand the role of different instruments and voices on a worship team 

—Be able to improvise their own part for a worship song using a lead sheet 

 

Assessment activities (student mastery of outcomes will be demonstrated through the following activities) 

—Regular performances including to but not limited to Tuesday morning chapel, outreach events, and on-campus performances 

—Weekly rehearsals 

—Participating in classroom discussion 

 

Required Texts 

Various musical scores 

iPad

OnSong Application (with required in-app purchases) 

 

Course Grades 

90-100%A

80-89%B

70-79%C

60-69%D

0-59%F

 

Academic Conduct Policy 

Your projects must represent your work and your ideas.  Ideas incorporated into your work that are not your own must be properly documented.  

 

Students are expected to follow the CMU Academic Conduct Policy as outlined on the CMU website.  Any evidence of academic misconduct may have any or all of the following consequences: 

Grade of zero on the individual assignment. 

Grade of F in the class. 

Dismissal from the class. 

A notation of academic misconduct on your transcript. 

The Dean of the University may take additional action, including probation, suspension, or expulsion from the college. 

 

Academic Property 

All work (original or copy) submitted by the student to satisfy the requirements of the course may be retained at the discretion of the instructor for non-profit and educational purposes. Such work is generally used for assessing the course and providing evidence of student accomplishment for review by accrediting agencies. Any student wishing to prohibit such use of their work may do so by notifying the instructor in writing. 

 

Non-discrimination Policy 

Central Methodist University does not discriminate on the basis of race, color, sexual preference, religion, sex, national origin, age, or federally defined disability. This includes but is not limited to recruitment and admission of students, educational programs, services, activities, financial aid, and scholarship programs. The University complies with all federal and state non-discrimination requirements. 

 

The procedures, described in the university’s catalog, are intended to guide and assist faculty, staff, and students in complying with this policy and in determining reasonable accommodations to be made for the federally defined disability claimed.  All materials and information regarding disabilities will be governed by the University’s normal policies regarding privacy. 

 

To request reasonable accommodations for a disabilities, students must fill out and submit the application and information forms and provide professional documentation of the disability (These forms can be found at http://www.centralmethodist.edu/learn/forms.php). The staff of the Center must receive the information before reasonable accommodations are provided. Please see the website for the Center for Learning and Teaching for more information (http://www.centralmethodist.edu/learn/index.php). 

 

Health and Safety for Musicians 

Musicians face a number of health and safety issues, particularly in applied lessons and ensembles.  Hearing concerns, vocal health, and muscle injuries are a concern for faculty and students.  Awareness and education are key to preventing harmful habits or injuries. 

In addition to the information shared with you in lessons and rehearsals, there is material available to you regarding best practices for maintaining hearing, vocal, and muscular health.  Helpful information is posted on the Fine Arts section of the CMU webpage.

http://www.centralmethodist.edu/student-life/services-and-resources/music-resources.php

 

Assignments

 

Rehearsals

The Worship Band rehearses every Tuesday and Thursday 11:00am—12:15pm during the semester. 

 

Performances

The Worship Band performs many times throughout the semester.  Although not all members are assigned to perform at each event, non-performers may be assigned to attend the event.  All Tuesday morning Chapels are required attendance for all class members.  Other events will be clarified individually. 

 

Central Methodist University’s Chorale and Music Ministry program have been invited to provide music leadership to Salem United Methodist Church for services April 19. The details on how this event will be put together will be forthcoming as soon as possible.

 

Contribution

Each class member is required to prepare for and contribute to assigned rehearsals and performances accordingly. 

 

Grade Weight 

Rehearsal/Performance Attendance 50% 

Contribution 50%

 

Rehearsal Breakdown

 

Keyboard Lab 

—Choose music if Prof. Witter has not already assigned it 

—Delegate responsibilities for singers and instrumentalists 

—Choose keys for each song 

—Retrieve charts and ensure that they are correct 

—Begin playing through each song to make sure that the basic melodic and harmonic parts work 

—Start developing and enhancing parts 

 

Conservatory 112 

—Finish developing and polishing parts 

—Expand beyond the fundamentals 

—Develop and refine vocal harmonies 

—Instrumentalists copy “signature” parts from recordings 

—Finalize arrangement and take notes 

—Record video by 11:45am on Thursday 

 

Church

—Work with Prof. Witter on selections for Chapel 

—Refine details 

—Practice visual leadership 

—Walkthrough for the service 

—Watch and comment on Conservatory 112 video at 11:45am on Thursday 

—Leadership and team building exercises 

 

Outreach

—Lead music during class at an off-campus location 

—Scheduled by Prof. Witter 

—Usually take place at local residential care facilities 

—Acoustic format 

—Keyboard players are assigned vocals or an alternate instrument 

 

Video Post and Discussion 

Ensembles in Conservatory 112 should record video of three songs by 11:45am each Thursday. These recordings should stem only from selections that the ensemble has been working on for their current rehearsal cycle. The band should present their selections in basic stage positions and perform/lead as if there were a congregation present. 

 

After videos are posted, the team rehearsing in the church will watch all three videos and individually provide constructive criticism as a comment on the video. Each student is required to provide two written comments. Remember to phrase comments in a descriptive and constructive manner. Be respectful.

 

Course Calendar Spring 2018

 

Rehearsals

Tuesdays 11:00am—12:15pm 

Thursdays at 11:00am—12:15pm 

 

Tuesday Chapel Dates 

January 14—White Team 

January 21—Gold Team 

January 28—Black Team 

February 4—Green Team 

February 11—White Team 

February 18—Gold Team 

February 25—Black Team 

March 3—Green Team 

March 10—White Team 

March 17—No Chapel (Spring Recess) 

March 24—Gold Team 

March 31—Black Team 

April 7—Green Team 

April 14—White Team 

April 21—Gold Team 

April 28—Black Team 

 

Off Campus Performances 

TBA

 

On Campus Performances 

TBA 

REHEARSAL SCHEDULE

(Schedule and assignments subject to change at Professor’s discretion.)

 

DATE

GREEN

BLACK

GOLD

WHITE

January 14

Keyboard Lab

Con 112

Church

Ashbury Heights

January 16

Keyboard Lab

Con 112

Church

Perkins

January 21

Con 112

Church

Caring Center

Keyboard Lab

January 23

Con 112

Church

The Lodge

Keyboard Lab

January 28

Church

Braun Home

Keyboard Lab

Con 112

January 30

Church

Senior Center

Keyboard Lab

Con 112

February 4

Ashbury Heights

Keyboard Lab

Con 112

Church

February 6

Perkins

Keyboard Lab

Con 112

Church

February 11

Keyboard Lab

Con 112

Church

Caring Center

February 13

Keyboard Lab

Con 112

Church

The Lodge

February 18

Con 112

Church

Braun Home

Keyboard Lab

February 20

Con 112

Church

Senior Center

Keyboard Lab

February 25

Church

Ashbury Heights

Keyboard Lab

Con 112

February 27

Church

Perkins

Keyboard Lab

Con 112

March 3

Caring Center

Keyboard Lab

Con 112

Church

March 5

The Lodge

Keyboard Lab

Con 112

Church

March 10

Keyboard Lab

Con 112

Church

Braun Home

March 12

Keyboard Lab

Con 112

Church

Senior Center

March 17

Con 112

Church

Ashbury Heights

Keyboard Lab

March 19

Con 112

Church

Perkins

Keyboard Lab

March 24

Spring Recess

Spring Recess

Spring Recess

Spring Recess

March 26

Spring Recess

Spring Recess

Spring Recess

Spring Recess

March 31

Church

Caring Center

Keyboard Lab

Con 112

April 2

Church

The Lodge

Keyboard Lab

Con 112

April 7

Braun Home

Keyboard Lab

Con 112

Church

April 9

Senior Center

Keyboard Lab

Con 112

Church

April 14

Keyboard Lab

Con 112

Church

Ashbury Heights

April 16

Keyboard Lab

Con 112

Church

Perkins

April 21

Con 112

Church

Caring Center

Keyboard Lab

April 23

Con 112

Church

The Lodge

Keyboard Lab

April 28

Church

Braun Home

Keyboard Lab

Con 112

April 30

Church

Senior Center

Keyboard Lab

Con 112

 

TIPS FOR A SUCCESSFUL REHEARSAL

 

  1. Assign responsibilities for each vocalist and instrumentalist.
    • Each team member should have a specific responsibility for each song.  Example: lead vocals versus backup vocals.
    • Most of these responsibilities will be assigned by the director prior to the rehearsal, but some will be left to band leaders.
  2. Learn and practice your own part before rehearsal.
    • No matter how good you think you are. If you haven’t worked on the song prior to rehearsal, you’re holding back the entire team and wasting rehearsal time.
    • If you feel like you have a grasp on the fundamentals of the song alone, work on enhancing your part. Example: vocal harmonies, new chord voicings, decorated rhythms.
  3. Sing through the song with all vocalists on the melody and all instrumentalists playing basic chords.
    • This ensures that we’re all hearing the same basic “edition” of the song. We all know many versions of many songs, but we need be working from the same melody and chords before decorating it and leading a congregation.
    • Having a strong grasp on the basics makes it easier to decorate the song with vocal harmonies, new chords, fills, etc.
  4. Rework the song additional times with vocalists and instrumentalists developing their own parts.
    • Now that everyone is playing the same song, you can run it again while individuals work on enhancing their own parts.
    • Remember that the fundamental melody and lyrics are always the most important part.
    • Make sure your part is always serving the whole.
  5. Refine the arrangement of the song.
    • Play with dynamics as an ensemble.
    • Explore “who plays when”. The whole band does not necessarily need to play constantly through the entire song. Example: staggered entrances or breakdowns.
  6. Consider discussing the meaning and context of the song.
    • Understanding context can help us claim ground and trust with the congregation and guests.
  7. If all else fails, listen to the song together.

 

Team Lists

 

Student — Responsibility 

 

BLACK TEAM 

Mitchell Crofton — Electric Guitar/Vocals* 

McCain Joseph — Keyboards 

Ross Nelson — Acoustic Guitar 

Brooke Phillips — Vocals 

Madeline Ryffel — Vocals 

Connor Sanchegraw — Bass# 

Jaimee Twichel — Drums 

Cemaria Woodard — Vocals 

 

WHITE TEAM 

Spencer Dry — Electric Guitar 

Quiz Falls — Bass 

Addylyn Gabriel — Keyboards 

Austin Holcomb — Drums 

Crystal Kimmi — Vocals# 

Emilee Moody — Vocals 

Abbey Ruggles — Acoustic Guitar/Vocals* 

Shelly Swink — Vocals 

 

GOLD TEAM 

Hunter Hanson — Electric Guitar 

Tyrone Harris — Drums 

Paul Harrison — Acoustic Guitar 

Joseph Mayo — Bass/Vocals* 

Emilee Nelsen — Vocals 

Lilly Powell — Vocals 

Wesley Spargo — Keyboards 

Kennedy Walker — Vocals# 

Nathan Wren — Vocals 

 

GREEN TEAM 

Simeon Brown — Drums 

Ryanne Burks — Vocals 

Jack Fender — Electric Guitar/Vocals* 

Mikayla Kinkead — Vocals 

Vicente Roberts — Vocals 

Chely Stratton — Acoustic Guitar/Vocals# 

Elyse Travis — Keyboards 

Enoch Turner — Bass 

 

Outreach Schedule 

Ashbury Heights—Mary Johnson, 660-248-3603 

1/14, 2/4, 2/25, 3/17, 4/14 

 

Perkins—Jamie Wilhoit, 660-248-2286 

1/16, 2/6, 2/27, 3/19, 4/16 

 

Fayette Caring Center—Tiara Patrick, 660-248-3371 

1/21, 2/11, 3/3, 3/31, 4/21 

 

The Lodge—Leigh Hilderbrand, 660-248-2277 

1/23, 2/13, 3/5, 4/2, 4/23 

 

Braun Home, 504 N. Cleveland—Stephanie Brand, 660-248-3333 

1/28, 2/18, 3/10, 4/7, 4/28 

 

Fayette Senior Center—Jennifer Barnell, 660-248-3733 (they need a stripped down acoustic ensemble; but with drums :-)) 

1/30, 2/20, 3/12, 4/9, 4/30